CRADLE

stand
cross hands

you cannot seduce
serpents

that simple
&
clear

bones bamboo
growing from grids

look into eyes
of eye

so serpent sang
so beautifully

see behind lines
learn from blind

base of breathing
in
& out

leo the blind
looks
all along
line after line

contours
& configuration

sequence
& succession

limit within limit

edge of edge

go

sink below line

glide over harvest
bear fruit

tie to cord
rope string
cable & wire

thread of thread

think
fucking think

think thought

line in line
over lines
into lines
for fuck’s saké
think

position boundary
of body

well within well

look up
see sky
if it
still
exists

queue
for this
vocation

look
look for leo
the blind

& his numbers
night knows

emperors
& philosophers
postures putréfaction

renders
precise
& smaller
than stone

held in hand
here

look
move palms
to eyes

hear holes
howl
within walls

within these
walls

body border

line
to line

think
fucking
think

come
for first time

dig earth
bones neatly gathered
in pile

can you
remember

fathers remember
souvenir
or stench

souvenance
or
stain

watch
when stoking chimneys

collecting gold
& glasses

tearing teeth
from mouths

using what weight
left to lift
cavities

craters
remember
mountains
or mounds

remember
mark in book

leave line
or two
to tell

another
line

another
forgot

numbers
end up
being of beast

this lost
on you

conceive
claws
come

come
soon enough

lost
breath circulates

frantic
for family

roots
or blood

line
lovers arms
made of wax

you too burning

she melts
into you

profession performed
undertaker of sight

watching wall
until they fall
on top
of you

whomever
you were
before barking

know numbers
night knows
now

now
cease circle

walk
or crawl
to
océan

standing in sand
dancing last dread

collapsing into another

circle
configuration circling
constantly

wing to wing
begin to sing

simple chant

gather confessions
accumulating announcement
destroy directives
for fall
perfect

définition
desired
now
& forever

after
alone with icons

enough innocence
left
for you
to murder moon

certain
apparitions
come

before
or after

record this
or that

time
immerses
time
in time

understand
clearly clocks

now
nightmare
nocturnal flame

accedes to heart

splintering
last time

marching into wash
house bring
your water

& blood
succession supplied

cease
lessly

hear this
flesh and bone

snaps breaks
and tears
neither silk
nor gingham

go to mound
sort through silhouettes

identify
i & i
sorry task
to take

instruct intentions
over table

emperor
of empty
space

stolen
no
time
to hesitate

heretic pleasure
in dance

endowed with breath

endowed with tears

run into sea

oracle offered observation
origin in trembling

weeping another way
of dancing

go to goats
listen to song
they sing
for fools

thick tears
burning soil

meet memory
beautiful carnage

source
for serpents
& stone

ageless heat
assault composed
in dying place

death
fall into sleep

taunt clocks
teach time
to time

hold wrist
so tightly

force me
to sing
alien songs

torment time
as time torments
within torrent

teach time time

welcome sleep

warn
winds

collect branches
burn

lay across bodies
bodies become conspiracy
against night

listen

kill
calf

inquisition
pumps from heart
apparitions

on guard
but also fell

visions alarms
no matter

surrender to shadow
shade of oleander

here i turn
hand against you

répudiâte remorse

still
gazes
to where
winds wrap

themselves in thread
thread into thread
line after line
falling

falling

language died

no secret

go to goats
gargle in pool

here everyone
hears

time surrounded time
trapped

body
cloud
bury sun

dress you want
to wear on
last day
will not help

you to undress
night

secret of stones

sink teeth
into flesh
scar stripping
last nicety
from lips

last harvest
sweat collected

weep

hands leaving mark
beautiful danger

poisonous air

go
burn oleander

sip moisture
so simple

trembling
hands burn flesh

obliterate ocean

painting ©Luciano Prisco

'CRADLE' JUDAS AS A CHILD 3.2MX2.4M OIL ACRYLIC HAND MADE OBJECT

the painter1

sing
outside station

keep coming
body

beside all
come

resolute
conjunction
& convergence
causes
& collisions

stop

blood
drips
down
into
palms

truth torso told

yell
for
help

gaze
at garden

speak

call out
disappear

down

wake up
circles

cut

horizon hell
fell

go in
weeping

under skin
in falling

turn

future
malady

melody

wound
on wing

forget
pity
& secrets

tumult

fissure
in field

branch in brain

strangers
stained

companions
claws

palpitate
before
praying

bend
blade

shape
sharpening
secret

painting : the painter#1, 15? x 20?, oil on panel, 2011-13 ©jack chevalier

LAZURAS RISE YOUR TIME HAS COME

running
away from apparitions

who holds you

now
no
knot
night knows

who
irreplaceable & implacable

who
who went with ghosts

who turned
garden upside down

who
wept with weeds

who
forgotten

waters
will never come
back

who
went back
for furnace
& flame

destruction
's deeper dance

tremble
trembling

please place pebbles
around

become being
boulder broken
by chains

do not dance

speak to scorpions
sing long song
sing
only of blood
sing
only to bones

ô
hear that horse
howl

unbearable clamour

crawl from fence
to fence

lazurus

lazarus
holding on

holding heaven up
with this hand
this beautiful hand

commotion
caresses without care

hurl
heave

hold on

cast into circle
circle of circle
catapulted

without care

ô clouds come

clouds come
horizon hell

tongue of shadow
taunts
does not hear
horse howling

who
keeps watch

who keeps vigil

vermin
cruelest birds call

some song
souvenance of slaves

hear it
now

painting - © Luciano Prisco - 2018
'LAZURAS RISE YOUR TIME HAS COME

Satan Exulting Over Eve by William Blake

We sit together and remember that time. When it was possible to think each other as geometric symbols in a system that we would never understand. I love you.

When angels arrive you will recognize them with their filthy mouths and their beautiful clothes. You'll recognize them because of the papers they're wearing. They won't try to be close to you. It's none of their business. Theirs is another vocation. You must be aware of that. It says they look like, but I can tell you that they have the bodies and the looks of the railway workers. Their hands are hardened by unnecessary toil. Their eyes keep scanning and they hear everything you say. You'd better believe it before the bells ring.

We'll climb up the hill. Bypass it. Maybe in a circle. Maybe not. Once upon a time there was a wall of sewing machines and bicycle wheels that protected us from a world that we did not wish to know. If it was knowable. This world we had won was more than enough.

In the library I took your books. One by one. Replace with the most beautiful rock. Day a day and sometimes during the night. Often. When you were going to pick up the trains, I'd set up a bookshelf and les them with rocks, stones, pebbles. They were my jewels. They still are.

In another time they would have told you to spread your wings.

When you had wings you didn't use them. We always unearth this earth. It was too late so early.

"engloutie dans les mers éternelles des nuits noyées"
Gertrud Kolmar

Proletarian Victim

memory
moon

pages
of breath

rival in garden
spectre

death
to sea
of seas

beyond
instant to instant

immersion

inundation

inouï

blood
on leaves

feed viscera
to vipers

lord
of
hosts hideous

lamentable line
followed
end
in end

you cannot seduce
serpents

that simple
&
clear

base
of breathing

in
out

conceive
claws

come

come
soon enough

lost
breath circulates

frantic
for family
roots

blood

line

crawl
to
océan

collapse
into
circle

wing to wing

time
immerses
time
in time

endowed with breath

endowed with tears
run into sea

''Proletarian Victim'' by David Alfaro Siqueiros, enamel on burlap, 205.8 x 120.6 cm, 1933, gift of the estate of George Gershwin, MoMA The Museum of Modern Art, New York